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The Night Country: A Novel, by Stewart O'Nan
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A ghost story that begins in everyday tragedy, from a distinctly American master of both forms: a "scary, sad, funny . . . mesmerizing read" (Stephen King)
At Midnight on Halloween in a cloistered New England suburb, a car carrying five teenagers leaves a winding road and slams into a tree, killing three of them. One escapes unharmed, another suffers severe brain damage. A year later, summoned by the memories of those closest to them, the three that died come back on a last chilling mission among the living.
A strange and unsettling ghost story, The Night Country creeps through the leaf-strewn streets and quiet cul-de-sacs of one bedroom community, reaching into the desperately connected yet isolated lives of three people changed forever by the accident: Tim, who survived yet lost everything; Brooks, the cop whose guilty secret has destroyed his life; and Kyle's mom, trying to love the new son the doctors returned to her. As the day wanes and darkness falls, one of them puts a terrible plan into effect, and they find themselves caught in a collision of need and desire, watched over by the knowing ghosts.
Macabre and moving, The Night Country elevates every small town's bad high school crash into myth, finding the deeper human truth beneath a shared and very American tragedy. As in his highly-prized Snow Angels and A Prayer for the Dying, once again Stewart O'Nan gives us an intimate look at people trying to hold on to hope, and the consequences when they fail.
- Sales Rank: #967599 in Books
- Published on: 2004-10-01
- Released on: 2004-09-09
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .55" w x 5.50" l, .65 pounds
- Binding: Paperback
- 240 pages
From Publishers Weekly
More poignant than terrifying, this contemporary ghost story set in suburban Connecticut focuses on the survivors of a car accident that killed three teenagers on Halloween exactly a year before the novel begins. Tim escaped without a scratch, but seeks to assuage his survivor's guilt on the first anniversary of the event. Kyle, once a teen rebel, is now a brain-damaged shadow (a kind of zombie) of his former self. Brooks, the townie cop who discovered the accident, watches helplessly as his life skids out of control. And most poignant of all, Nancy Sorensen, Kyle's mother, stoically cares for her damaged son and tries to heal a marriage nearly destroyed by grief. These sad characters are haunted in another way as well, by the ghosts of the three killed instantly in the crash: Marco, Toe and Danielle, who address themselves directly to the reader. "We're on a mission," they say, but their objective is never explicitly stated; they just observe as the day's events unfold. Each character's story is told (and, eventually, woven together) in O'Nan's simple, searching prose, which captures the inchoate passion and longing of teenage life as well as the bleak resignation of middle age. O'Nan demonstrates remarkable restraint; there's no grasping for tragic meaning (the accident was "just something random that happened to us, bad luck," according to Marco) or melodrama. Despite some confusing shifts in time-it's occasionally hard to decipher what's happening now and what happened then-a coherent thesis of misfortune emerges: death has many victims, and the ghosts haunting the survivors don't only appear on Halloween.
Copyright 2003 Reed Business Information, Inc.
From Booklist
The aftermath of a Halloween tragedy haunts a New England town on the one-year anniversary of a typical teen joyride that ended with a car wrapped around a tree. Toe, Marco, and Danielle were instantly killed. Kyle lives on, sort of; a severe brain injury obliterates the rebel in him, the accident leaving him with the mind of a child. Tim, "the lucky one" in the backseat, his arms around Danielle, survived but now has a death wish. Officer Brooks, the first on the scene, was terribly altered by the event, and his life is in shambles. Now, on Halloween, he fears that Tim is going to do something horrible. Travis and Greg, buds of Toe, don't want the day to go by without memorializing their dear departed friends. O'Nan, author of Wish You Were Here [BKL F 1 02], tells a ghost story from the point of view of Marco's ghost. Like the narrator of Alice Sebold's The Lovely Bones [BKL My 1 02], Marco (along with Danielle and Toe) can witness the lives of those they left behind, see the impact their deaths have had on the community, but have little direct effect on certain inevitabilities--an interesting literary contrivance that doesn't always pay off (see Douglas Coupland's Girlfriend in a Coma (1998) and Hey, Nostradamus [BKL My 15 03] for other examples of this vantage point). O'Nan's voice is compelling, his prose lovely and evocative. Benjamin Segedin
Copyright � American Library Association. All rights reserved
Review
“I think that if you haven't read Stewart O'Nan . . . you have some catching up to do.” ―Stephen King, Entertainment Weekly
“With one foot in the genre of horror-supernatural and the other in literary fiction, this book defies classification.” ―Brian Richard Boylan, San Francisco Chronicle
“Chilling...By juxtaposing the angst of teenage years with the hoarier dread of middle age, O'Nan has put his finger on how frightening and swift is the hand of fate.” ―John Freeman, Minneapolis Star Tribune
“Stewart O'Nan is a literary ventriloquist. Each of his novels is is so different that he seems capable of doing anything he chooses.” ―Dan Cryer, Newsday
Most helpful customer reviews
2 of 2 people found the following review helpful.
Haunted Look At A Halloween Car Wreck ...
By Kindle Customer
And the lives altered by it. Stewart O'Nan takes the lives of all the people involved in a terrible car wreck on Halloween, puts them under a magnifying glass and forces you to watch their shattered existences play out in this brilliant novel he dedicated to Ray Bradbury-another God of the written word.
The story is told from the perspective of ghost teenagers who perished in the crash. When their loved ones think of them, which is almost all the time, they are summoned to their sides to watch on helpless, as their lives spiral out of control from losing them.
When you reach the midway point of this book, you'll think it's nothing more than a deep character study of these ruined lives, but then O'Nan takes you in a completely different direction, turning his prose into suspense, taking hold of your mind until you reach the final page.
This guy knows how to write and keep the reader wondering what the hell is going on in a good way. And as with any meaningful book, the characters in this one stay with you after the final page is turned.
The Night Country was my first O'Nan book and after turning page fifty, I got back on here fast and ordered more of his works. This isn't a bad place to start, I think.
This one will stay with you ... trust me.
Horrordude
2 of 3 people found the following review helpful.
Home is where your losses are...
By P. Padden
The Night Country begins with a seductive invitation: "Come then, come with us, out into the night... come stalk the dark back roads and stand outside the bright houses, calm as murderers in the yard, quiet as deer."
It's Cabbage Night, the night before Hallowe'en in Avon, Connecticut, and you've just been invited to spend some quality time with Marco and Toe and Danielle, beginning on this cool autumn night that "smells of dust and coriander on the wind."
"It's the best time of year up here," Marco tells us - "witch hunts and woodsmoke... a 'new' England... veined with black rivers and massacres."
Marco and Danielle and Toe are three sweet, feisty, and very likeable teens, or at least they were until last Hallowe'en when, joyriding around the back roads, tired after working at their menial jobs, but happy just being together - "wanting the night to last forever" - they die in a horrific accident. Also in the car are Kyle, their bud-dealing Goth pal, and Tim, Danielle's sweet, introspective boyfriend.
Part of Kyle survives the accident, but with brain damage so severe that his personality, his prickly rebelliousness, is deadened. "Imagine diving off a five story building and landing on your face," suggests Marco. "Now imagine getting better." Kyle's nose and cheeks and forehead are prostheses - "only his chin is the same, and his hands."
Tim, Danielle's boyfriend, is the only one to survive the accident physically intact, but he's lost everything - all of the friendship and love that gave his life its meaning. Plagued by loss and survivor's guilt, he no longer feels any sense of belonging to - or in - the world.
More than the dead, these living victims haunt Officer Brooks, the police officer who initiates the high speed chase that precipitates the accident, but it's the dead who mess with Brooksie's head, sitting, invisible, in his kitchen teasing his dogs to make them bark - egging him on to commit the unspeakable - "We've seen him hang up his gun in slow motion, deliberate as a horror flick, and only Toe's twisted enough to make the holster swing, a cheesy temptation." Toe's ghost is twitching for vindication and revenge - he was the one behind the wheel, seemingly responsible for his own death as well as his friends'.
Danielle's ghost tries desperately to soothe Tim's appalling loneliness, and to fend off his desire to join her - "This must be how Dylan Klebold felt," Tim thinks on the heartbreaking anniversary of the accident - "knowing he was going to school the next day and never coming home." And Marco narrates it all for us with a kind of edgy detachment as the six characters are compelled to act out the final scenes of their intimately enmeshed lives and deaths.
Loneliness and isolation stalk through the pages of The Night Country as Kyle's mom struggles with the pity she can't abide and the fear of being perceived as a monster if she tries to move beyond her grief to resume a normal life, and Officer Brooks struggles to atone for the one tragic mistake that he made too late in his career and his life to forgive himself. Tim is a pariah now - the kids at school see his dead friends as legends, and Tim as an anomaly - not a lucky survivor, but a victim, the other one who should have died.
The book ends in a cataclysmic liebestodt of vindication and vengeance, remembrance and redemption, and in its final paragraph answers Marco's poignant question, "Where would we be if love ended at death?"
The emotional impact of this book belies its brevity. As with much of what Mr. O'Nan writes, I had a good cry reading it - several of them, in fact. The weird part was, my box of tissues kept disappearing and then turning up someplace that I knew I hadn't left it. Toe, probably. He'd be twisted enough.
0 of 0 people found the following review helpful.
Five Stars
By Amazon Customer
Good quality. Timely.
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