PDF Download Picasso On Art: A Selection of Views (A Da Capo paperback), by Dore Ashton
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Picasso On Art: A Selection of Views (A Da Capo paperback), by Dore Ashton
PDF Download Picasso On Art: A Selection of Views (A Da Capo paperback), by Dore Ashton
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An anthology of Pablo Picasso's statements about art
- Sales Rank: #436021 in Books
- Published on: 1988-08-22
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .50" w x 5.00" l, .54 pounds
- Binding: Paperback
- 224 pages
- ISBN13: 9780306803307
- Condition: New
- Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Language Notes
Text: English (translation)
About the Author
Dore Ashton's books include A Joseph Cornell Album, Picasso on Art, A Critical Study of Philip Guston, A Fable of Modern Art, The New York School, Noguchi East and West, and A Reading of Modern Art. She lives in New York City.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Great one!
By Stephan
It is just a great one, I like it! While I was reading it I even thought that Picasso's vision on art is even more remarkable and astonishing then most of his paintings. Vivid metaphors, incredible ideas, some of them might be over the top at times, but still. For instance one my favorite is his gorgeous idea on drawing that it couldn't be finished, as soon as it finished - it becomes a dead thing. He says that picture keeps on changing (after artist put his signature) in eyes of spectator, that depends on his state of mind etc. Or the other one - there is a lack of poetry in art, says Picasso, poetry fades away from pictures. There are plenty of stuff like that, I bet you'll enjoy it. Although, in the end of the book you start to feel bored and being loaded with repeating stuff. For now I'm looking for some kind of book like that - a collection of best quotes from various other painters. Originally I'm not a native english-speaker, sorry if I had several mistakes.
8 of 8 people found the following review helpful.
Understanding art
By Adiatha
"Everyone wants to understand art," reflects Picasso early in this book. "Why not try to understand the songs of a bird?" It is a playful observation, and one that can only emanate, we imagine, from the mind of an artist throughly engaged with the material on palette. Picasso's witty comparison suggests art's elusive form and implies a truism which the reader will discover to be a driving force throughout these pages: The audience to a work of art, like its creator, succeeds by embracing rather than understanding the rendered object.
It is the artist's full embrace which resolves itself into an all-encompassing vision, the very contradictions inherent in that panoramic view requiring for their complete rendition an array of angled planes that can only be created by the shattering of constructive materials. Hence arises that formal abstraction that so often mystifies those who seek understanding through simple assertion. How many individuals, indeed, feel that certain works by Picasso misrepresent rather than render the real? "We all know that Art is not truth," muses Picasso in acknowledgment of this confusion. "Art is a lie that makes us realize truth, at least the truth that is given us to understand."
The truth that is so realized, adds Picasso, is something different from the artist's original vision, for the truly rendered subject, in a paradox, evaporates. Picasso recalls an effort to paint the portraits of two people; by the time his work was done his subjects existed no longer. In the artist's words: "The `vision' of them gave me a preliminary emotion; then little by little their actual presences became blurred; they developed into a fiction and then disappeared altogether, or rather they were transformed into all kinds of problems. They are no longer two people, you see, but forms and colors: forms and colors that have taken on, meanwhile, the idea of two people and preserve the vibrations of their life." So Picasso's human beings become real by disappearing from view, just as Isabel Archer becomes fully realized by vanishing at the conclusion of Henry James's novel.
Art reveals truth by lying. Subjects become realized by disappearing. Any reader witness to this book's magical paradoxes, arising as they do from that hidden place where the creative flint strikes steel, can only view Picasso's observations as lending to our vision of artistic discourse a rich chiaroscuro. We cannot say this book will deepen the reader's understanding of art, unless by that understanding one means an embrace of the imaginative machine's secret pistons.
11 of 11 people found the following review helpful.
Engaging
By Scott Woods
An engaging, if not wholly cohesive, account of Picasso's sayoing and writings about art, but more. The strength of the book comes when he speaks on art. The ancilliary issues that come up serve to round out the figure of Picasso more, but may not quite be the art treatise you're looking for.
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