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Artist and writer Sarah Trigg embarked on an ambitious field expedition across the United States in 2009, interviewing more than two hundred artists in their studios. Through conversations with a wide spectrum of painters, performance artists, sculptors, photographers, video artists, and others, Trigg set out to investigate contemporary artmaking practices.
The result is Studio Life, a fascinating photographic and written account of visits with one hundred of these artists, including William Wegman, Pat Steir, John Baldessari, Carol Bove, Rashid Johnson, Peter Halley, Fred Tomaselli, Tony Oursler, Jim Shaw, Michelle Grabner, Tauba Auerbach, Trenton Doyle Hancock, Dana Schutz, David Altmejd, and many others.
Trigg asks her subjects to share the stories behind significant objects and working habits, focusing on six categories: mascots, collected objects, rituals, makeshift tools, residue, and habitats. These talismans and behaviors provide a framework for artists to reveal insights into their practices and the nature of the creative life. Intriguing and often humorous anecdotes emerge—of one studio's mysterious sealed vault, another's resident bunny—and countless sources of inspiration are unearthed: vintage comics, purses, and kitschy figurines; faded yearbooks and treasured cards and letters; and one handwritten reminder to "Quit Feelin' Sorry for Yourself." In addition, a visual index provides an image and biographical information for each artist.
Accessible and relevant for amateur aesthetes and art-world professionals alike, Studio Life offers an insider's view of the artistic process, an alternative approach to understanding art, and a compendium of today's most compelling work.
- Sales Rank: #342377 in Books
- Brand: Books
- Published on: 2013-09-17
- Released on: 2013-09-17
- Original language: English
- Number of items: 1
- Dimensions: 9.50" h x .75" w x 7.25" l, 1.72 pounds
- Binding: Paperback
- 256 pages
- Used Book in Good Condition
Review
"Painter and photo editor Sarah Trigg takes you inside the studios of several artists and reveals what you can learn from exploring their workspaces and creative rituals." -- FastCoCreate
About the Author
Sarah Trigg is an artist, writer, photographer, and creator of the popular website The Goldminer Project. She lives and works in Brooklyn, NY.
Most helpful customer reviews
9 of 10 people found the following review helpful.
Nothing else like it...
By loveliest girl ever
I love this book because frankly, there is really nothing else like it. It's part studio visit, part archeological dig, and part meditation on the hidden inspirations, magical objects and rituals that propel an artist's practice. The book is also a thoughtful memoir of the author's visits to the studios of extraordinary contemporary artists like Gary Panter, Jill Magid, Byron Kim, Aaron Curry, Kerry Tribe, David Altmejd, John Baldessari and many many others. The writing is intelligent, the stories are intimate and full of warmth and humor. STUDIO LIFE is a welcome reminder that behind every public work of art is a very private world.
7 of 8 people found the following review helpful.
A fascinating, beautiful book
By VG
The book opens the doors into spaces and lives one would rarely get to see. And once inside, it shows the particularities that make each artist's studio and practice unique. Patterns emerge, but what comes across is the studio as a reflection of the artist's mind. Every thing is lovingly photographed and back stories emerge. The conversations convey a sense of the intimacy of the studio visit with a fellow artist. The cumulative effect of the one hundred studio profiles is a portrait of contemporary studio life in America.
7 of 8 people found the following review helpful.
It's all about the process!
By M. Forth
Getting this book was a nice surprise--it offers a really interesting and alternate take on what makes artists tick in their studios. The book doesn't really show pretty, composed, overall studio shots, but if you want an insightful, down and dirty look at HOW artists work, get this book. Its much more documentary-style in its approach, really about process, and I loved pouring over the huge amount of images--many unexpected details and objects. Really appreciated the longer entries of William Wegman, Tony Oursler, Jim Shaw, and Gary Panter.
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